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He's moved the salon windows forward in keeping with the internal dimensions of the novel. The four-bladed propeller is smaller than in the novel. It had 'actual' miles. Note the window atop the wheelhouse that provides a sternward view when the structure is rotated into the hull for streamlining. Martinet added the features described by Verne in the novel, including the salon window, wheelhouse, lantern, and deck. You have some really good articles and I believe I would be a good asset.

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Just aft of these the hull is adorned with some complex structures that merge into curling tentacles. The short deck has a rectangular hatch at its aft end. I invite you to look for the relationships among them all. J esper Kurt-Nielsen added ornamentation to his second Nautilus and changed to a symmetrical stern. There appears to be a circular diving hatch on the hull bottom beneath the salon. Thanks to Jim Alves for telling me about this model.

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The design has two dinghies, one on each side of the deck, a nice improvement on my own original Nautilus. Rather than a single window, a row of smaller ports provide outside views. His 3D model has a full interior laid out very much as Verne described. The artist is not identified. It was Ford's reputation of reliability that set them so far ahead in popularity in the 30's but, it was also because they were one of the very first to mass produce the dependable V8 when the other auto manufacturers were mired in the past The two-part article, inspired by Jean Gagneux's earlier work, includes a comprehensive analysis of the text of 20, Leagues not unlike that on these pages and detailed illustrations of a powered model built by the author. The wide dive planes are set below the hull centerline.
The Goff influence is gone. The design has a set of large windows in the bow, with a row of smaller windows set high on the hull along the sides. T his is Philip Heinrich 's interesting fishlike Nautilus. He modified the ram and the rudder, and used a slightly elevated wood deck to account for the curvature of the hull. See large photos of the box box-art section and the model science fiction anthologies section on the museum web site. I don't know how much of the underwater sequences was computer-generated and how much was filmed miniatures, but perhaps a technique similar to that used for some scenes in the Disney film was employed.
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